Omikron: The Nomad Soul - Unfinished Playthrough Review

After what is probably a year of trying to get through it, I decided to uninstall Omikron: The Nomad Soul. And what really bugs me about it is that I can't really put my finger on why I couldn't get into it.

There are plenty of games otherwise that I enjoy well enough, but I just know that I will never be able to beat them for one reason or other - most often the reason being that it's just too damn difficult. For instance I loved Faster Than Light and played it countless hours but I still ever only managed to beat it on easy (and I am pretty damn proud at that). I could've played it still today, and probably will play it again in the future, but I just had to recognize that eventhough it was still fun there were also other games I wanted to try out (oh, so many) and I simply needed to make room. For FTL it was not goodbye however, simply auf wiedesehen. I am also currently playing Crypt of the Necrodancer and having great fun with it but I can also tell already that I will never be able to beat that game - I've made it halfway through world two at the moment and damn those dragons get me every time! I am still far from giving up on that one however, thanks in large to the über-awesome OST, so you never know - miracles to happen.

Just your typical bar.

That was not the issue with Omikron however. I don't know what the issue with Omikron was! Just a bit of background here, it was originally released in 1999 (a great year for PC gaming - Age of Empires 2, System Shock 2 and Planescape Torment were also released this year, to name a few!) by Quantic Dream, you know the people who later did Heavy Rain and Beyond: Two Souls? Yeah, this was their first game.
It really had everything going for it to sweep me off my feet. It was from the time period of PC gaming that I love, it has the fugly graphics that I love. The story is pretty good and the characters are interesting enough. I didn't even think the controls and gameplay mechanics were overly difficult, once I finally got them working anyway (turns out Omikron doesn't particularly like it when you have a controller installed but that took me way long to figure out). The controls were far from perfect, for instance why would you have two completely different control schemes depending on if you're swimming or walking? That nearly had me drowning way too many times. But that is something I come to expect from that time period, I've played plenty of games from that time to know that back then people just invented their own way of doing it, WASD was barely a thing yet. So with each game you try out, part of the fun is trying to figure out how to move around at all. And like I said, it wasn't overly bad in Omikron, but pretty standard tank-controls with easy to understand trigger-keys.

You can tell it's David Bowie, right?

And the gameplay, well - many of the gameplay aspects were actually quite good. They had the regular mode, but then in some parts of the game it turns into some style of shooter (and again, different controls) but all of these were well designed enough to add rather than subtract from the whole. It spiced things up and never became frustrating. The "hail-a-taxi"-feature was great, making sure you could always get to quest-points you needed to go to, or had already visited. This made sure you never got lost and confused. Ok, scratch that - I was plenty confused. Some of the puzzles were quite tricky and I definitely had to employ walkthroughs to get through them. Even when I knew exactly what I had to do, I wasn't standing in the exact right place or talking to the right people in the right order to get it to work. And I would've never been able to figure out I needed to take over the guards body to escape from the prison, I didn't even know I had that ability! But again, it's the style of the times and that in combination with my, quite frankly, abysmal puzzle-solving skills is just a hotbed for frustration on my part. I don't blame the game for that though, the information was there if you knew where to look (or had the patience to keep looking).

It didn't crash or bug on me even once either (not counting when I first started playing it and couldn't get the controls to work), unlike games like KOTOR. KOTOR I had to stop playing after I realized I had spent more time troubleshooting bugs and crashes than I had spent time actually playing it. After a critical bug saw me having to replay hours of the game (I had chosen the wrong dialogue option way back, not triggering an event to happen) I decided enough was enough. No such trouble with Omikron, it ran smoothly.

The cab is the best.

And yet, it just never was... fun enough. But like I said, I can't explain why. Somehow the the whole ended up just not being as good as the parts of it. I could appreciate each element of the game on their own (especially the part where David Bowie has a pretty big part in it) but it just didn't manage to come together in a way that kept me around.

I can't say it's a bad game though, because it really isn't. The whole idea that it's not actually a game and you as a "player" is actually sucked into the world of Omikron to save it from some sort of demon is actually a really fun and interesting one. Maybe I just got stuck too often. If I have to resort to a walkthrough too much, I'm not really playing the game anyway, am I? I might as well just watch a LP of it, because that is basically what I am doing anyway. So, that is what I might just do. But finish this game, I will not.

The Witcher - Thoughts and Review

I don't know what I expected of The Witcher when I first started playing it. All I had really heard about it were good things and I had seen a tiny bit of gameplay. The bf had played a bit of the intro but fresh off from playing Dark Souls he pretty much disliked anything that wasn't like that, so I knew his opinion was probably not much to go by. Having just played Dragon Age: Origins myself, which I had also hear very good things about but never really got into, and Mass Effect, another game with good reviews that I thought was ok but nothing special (though fun enough to at least play through unlike DA:O) I guess my hopes for TW were both high and low. Low because I had been disappointed by the previous so-called great games I had tried that didn't particularly tickle my fancy, but also high in that I was hoping that TW could finally prove that hadn't just become too jaded to enjoy great storytelling games anymore.

The "problem" with storytelling games is that you need to give them the time and opportunity to let their story have an impact on you. If my incentive to play diminishes from supbar gameplay, then it doesn't really matter how great the story is, I won't feel engaged anyway. Although to be fair, with DA:O I had the opposite issue where a boring story removed from the somewhat fun gameplay.

TW caught me at once however with an interesting main character and a clear goal. There is danger in having a named character with a personality from the get-go, if the player doesn't sympathize with the character the whole game will feel uncomfortable to play (I more often have this issue with movies and series than games, but it's the same basis). TW however managed to strike a fine balance between the character Geralt and the player. Throughout the game Geralt will be himself, but the game also allows the player to express their opinions through the different story options that are given. Will you save the werewolf or kill it? Will you side with the Order or the Non-humans? The game did a great job in convincing me that Geralt could stand behind either of these options without ever making him seem insincere or out-of-character. That is not an easy balance to strike and I applaud the creators for making it work so well. The options you are given are rarely morally clear-cut but often feel like they're both equally right or wrong. As such it is up to you as a player to make the final decision and it was satisfying to see Geralt stand behind either option no matter what you chose. Geralt would always give a sensible explanation to why you would act the way you did. It also provided me with a lot of thoughts when I realized things I had chosen and stood behind at first, spiraled out of my control and suddenly I was in a situation I didn't want to be in anymore. But at that point I had made my bed.

I also realized that Demonicon, another game I had played before this and also Let's Played, had borrowed heavily from especially this aspect from TW. Demonicon, which is a simplistic game with a lot of flaws, but still entertaining, also presents the player with difficult choices and that was one of the elements I enjoyed the most from that game

.

Probably the most annoying character in the game

The story was maybe not the most thrilling I have ever played through, but in a way that felt good. I wasn't cast as the savior of the lands (not yet at least, I can guess that might come in later games), but as a character part of a big whole going about my business. In that way it was similar to games like Fallout (the first one) where you set out to solve the problem of your own little world, while at the same time inhabiting a world full of other peoples problems. TW doesn't start you out in the shoes of someone entangled in political deceit and worldly problems, but cleverly steers you that way by setting Geralt on his own personal quest. I must say I really prefer that kind of storytelling.

There were things in the game that irked me, though very few. The "conquest" style of bedding women felt a bit off to me, and even a bit off to the character of Geralt. Eventhough people kept telling me what womanizers the Witchers were, I never got that feeling from Geralt. More often it was the women that threw themselves at him and he just obliged. The fact that you can basically get into a steady relationship with Shani about halfway through the game made conquests after that point feel even more odd and I always avoided them when I could. And generally you can, which I was very greatful for. There were also some lose ends in the story, like Triss real motivations and whatever is wrong with Alvin - but I suspect and hope those storylines will be continued in the other games. I have no idea how faithful the game is to the books, although I intend to read them, but to me it felt like the whole womanizing thing was something that was shoehorned in to fit the source material.

This thingy was a bit of a pain

The gameplay also struck a good balance between being the right amount of complex, with a nice mix of magical and physical combat. At least it felt like it had a lot of potential, that didn't really come to full fruition in this game. For instance I found it a bit unfortunate that most magics didn't feel useful at all (I basically stuck with fire and stun magic throughout, only occasionally trying the other ones out) but maybe that was because of the difficulty setting. I played on normal which I felt was fairly easy most of the time - the only time I died repetetively was on the spider boss that put bleed on me. For some reason it took me a couple of deaths before I figured out that was what it was, so all the antivenom I had taken was for naught. Maybe on higher difficulties a great variety is needed in both alchemy usage and magic usage. I liked the system of strong-fast-group style and  it worked well enough to rarely become irritating. There were some enemies you grew fairly sick of fighting, especially the Drowners and Drowned Dead and before long I decided to just run away from them. The areas varied from fairly infuriating (the Swamp) to quite enjoyable (Vizima). I don't know how but I constantly got lost in the Swamp and I was thoroughly glad when I realized I didn't need to go back there anymore (you spend a considerable amount of time there however).


The game is divided into different chapters and I felt the game only got better as it moved along. Of course this can just easily have been because the characters and settings are becoming more familiar to you and you are more invested in the story as you get further into the game. The ending I found somewhat confusing and not whole-heartedly satisfying (I am not talking about the cinematic ending, but the killing of the Wild Hunt) but this too is something I find might make more sense to me once I have played through the other games as well.


Overall I had great fun with The Witcher. I genuinely liked Geralt and he felt like someone with a realistic personality. He was stand-offish but not arrogant, he somehow managed to balance his lone-wolf attitude with empathy that I have rarely seen in other game-characters. Even though he clearly had personal issues he never made a big thing out of them but let the player think about it in their own time. I'm looking forward to spending more time with him.

Many months later...

Wow, hiatus much?! 

I turn around and suddenly it's been half a year since I last wrote something. But I'm still here and there is no special reason I haven't been writing anything. In fact, my life has been so terribly ordinary and mundane that that probably is the reason I haven't been writing anything yet this year. Every week I will ponder if I have anything special to say or talk about and so far 2017 I have come up empty handed. Not that I haven't been having fun, I make it sound like my life has been tragically boring - far from! But I am just doing ordinary every day stuff I don't considering interesting enough to spend time writing about.

I've also always wanted to avoid the rambly writing structure, in which I write whatever just comes to mind without a clear goal (a lot like this post actually). I've always wanted to make posts that at least aim to have a point and as of late I have just not had anything to make much of a point about (that isn't horribly political and that is something else I don't want this blog to be). Maybe I am going to have to contend and accept that rambly posts, that just chronicle my everyday/week doings, is what I have in me at the moment. And let's be fair, a lot of my posts have been that way already. I'm not saying there is anything wrong with those kind of posts, in fact for blogging they probably make out the majority, it was just not the of writing I wanted to do.

But I love writing, and I still want to express myself however pointless my thoughts may be (to someone else, I'll always enjoy writing them down). Writing not only brings me enjoyment, it collects my thoughts and writing has always been my go-to thing whenever I've stressed over something or felt I needed some time to sort things out.

I don't think my posts ever came off as polished but some I actually gave a great deal of time and thought. Right now I feel like doing a lot more (even more!) relaxed style of writing - we'll see how that turns out.

Retro Thoughts - Star Control

Retro-Thoughts, in which I try out one of the many games I missed out on during my youngers years and give you my thoughts on it. This time it is... 

Star Control!

What did I know about Star Control before trying it? Absolutely nothing. Well except that it's categorized as an "adventure" game and takes place in space. Which I guess I could've guessed from the title really... I always check a bit of gameplay and screenshots before purchasing a game, sometimes even a metascore if it's a newer game. I got Star Control on Gog.com and they've bundled it with Star Control 2. Now, after having tried the first game, I realize that it is not entirely clear whether the screens on gog.com are from the first or the second game, but I guess they are rather the latter. Graphically they're very similar but I suspect that gameplay-wise they're not.

Just looking at Star Control I wasn't entirely sure if it was my cup of tea. I liked what I was reading about it, if you've read any amount of posts from me before you might've seen me mentioning Escape Velocity, a "space trading and combat simulator" game as wikipedia puts it. I love Escape Velocity and thought Star Control sounded a lot like it. Looking at it however it was verging on the style retro-graphics that I can handle with a bit of overenthusiastic coloration and everything being just too close up or too pixelated to really make out what I am looking at. But as I very rarely let graphics alone get in the way of me trying a game out that otherwise sounds like fun, I decided to give Star Control a spin.

So I started it up and immediately had no idea what I needed to do. With older games the first thing to figure out is always what keys to use, because it's rarely the good old "WASD"-configuration. I say "good old" but back in the day it seems like each game used their own setup of keys and holy macaronies am I happy that is no longer the case. I did manage to get my ship... err wait a sec, ships? Am I playing two ships at once here? I don't get it... well anyway, I did manage to get them both to fly around and shoot stuff, but had no idea what to do beyond that. Was I supposed to kill the other ship? Is Star Control a multiplayer game?! Why had no one told me!

Pew pew! Ok... now what?

That seems to be the case so after aimlessly flying and shooting around for a bit I decided to try out one of the other game options. As I assumed "practice" was the same as "melee" I looked at the last one. Oh wait a minute, no need to worry - "Full Game" is right here, surely this is where the actual game is located. I start that up and... I have even less of a clue of what is going on than before. At least in the melee and practice option I thought I knew what to do, although it seemed rather pointless for me as a single player. But now I am looking at a screen with a lot of dots floating back and forth and I guess one of those ships is supposed to be me? I've got a couple of menu options like "move" and "mine" and "fortify" so that sounds promising at least, that sounds like I've indeed come to the adventure or possibly strategical part of things.

At first I try to actually give things some thought. I try to figure out what could be a good move? Bearing in mind I have literally no clue what the objective is or barely even what I am looking at, my trying to think things through doesn't actually produce much in terms of results. I move my ship around a bit, fortify some things and mine some things. Then I move my ship back. Then up again. More mining and fortifying. Sometimes I get a message about something, but it doesn't seem to make any difference because I keep moving my ship around the dots without anything else happening. Whatever is supposed to happen isn't and I really don't understand what is going on. Unless this is the game? Maybe this is what is supposed to happen and I am winning! But I can't tell.

I sigh... Star Control seems to be one of those retro games that people have a very fond memory of, and I don't doubt that it is a good game. If you can get to it. Star Control is a bit blocked off by distance, and by that I mean distance in time. Being released in 1990, for a computer game especially, Star Control is pretty old and from a time when conventions like explaining the game in-game weren't in place yet. A game like Star Control feels like you pretty much have to read through the manual to get a hang of and probably also be in the mind-set of really old-school computer games, they were just crafted differently back then - for better or worse. For me and in this particular case, the bar was too difficult to get over and I quietly uninstalled it again after about an hour of finnicking around with it.

Star Control left me feeling left-out, too young to understand a game too shaped by its time. Maybe I needed to give it more time, but if one hour of poking around didn't make me one bit smarter I think I am a hopeless cause. Star Control and me didn't click, and in a time when there are so many other games wanting my attention, it's very difficult to sit around for too long with one that gives me a very cold shoulder. It made me no less interested in trying the sequel however, rather the opposite! Star Control 2 also boasts a rather awesome soundtrack so I am definitely looking forward to trying that out.

VGM Podcasts Review

Video game music has always had a big part in my life, at least since I started gaming. More recently it's pretty much overshadowed every other kind of music and become near the only kind of music I listen to. To be fair, in recent years gaming music has become so diverse that you can get your fill no matter what kind of genre you prefer, but mine happens to still mainly be chiptune-style. As mentioned a couple of posts ago, this also eventually led me into looking for podcasts centred around VGM to keep me company during my bike rides to and from work. And I've actually managed to find quite a few, of varying quality that I thought I would write a little more about. Firstly, it's important to note that what I am after when listening to a VGM podcast is mainly the music. Some podcasts delve a bit deeper into the technical aspects of the making and creating of VGM and while I do find those parts interesting as well, I prefer the ones that just play as many tracks as possible, with a bit of commenting. My evaluation of the podcasts I listen to will of course be biased by my preferences in this regard.

But where is the harp?

Battle Bards by Syp, Steph and Syl
This is probably my favorite or at least one of my favorite VGM podcasts. Eventhough they have niched into MMO-music specifically, which initially had me thinking that I'd get bored with the podcast eventually, they manage to make so much from their topics. The dynamic between the three hosts is by far the best out of the podcasts I listen to - they have completely different tastes and are not afraid to tell eachother. This leads to interesting discussions about the quality of the different tunes and I especially enjoy hearing the different perspectives they often have on the very same tune. This podcast is also unique among the ones I listen to in that it intersperses the music with the talking, rather than listening to a tune (or two) and then talking about it which is the standard procedure, and it really works! Sound levels can be off sometimes, where the music is too loud to hear what they are saying, but that is only occasionally and definitely not enough to remove any of the fun from listening to this gang talking and bickering about MMO VGM. Highly recommended!

Forever Sound Version by Michael
This podcast has only just gotten started and it's off to a very good start. Forever Sound Version is a bit unusual as he does most of the episodes on his own (although he is not the only one as we will see). He does a great job at it however - the focus is on music and the talking only adds to the tunes by keeping it relevant and interesting. Because he (mostly) does the episodes alone, he stays on point which can be very nice when you've listened to a couple of podcasts in a row where the hosts stray off the topics. For the first couple of episodes I've listened to he has managed to strike a nice balance between technical, informative and personal when talking about the tunes and my only gripe is that I feel he sometimes brushes through some topics a bit quick, I wouldn't mind longer episodes!

That's better.

Rhythm N Pixels by Rob and Pernell
Another great podcast with a duo of guys who just want to share some good tunes, making the podcast very laid-back and unpretentious. They choose an often whacky topic that they base their tunes around, which allows for a nice mixture of music. This podcast is more personal and goofy and less technical and I especially enjoy it for the often great variety in music within each episode. It's fun to hear the hosts thoughts around the different topics which can be as diverse as "Fire Levels", "Map Themes" and "All the Fours" and they always find a good balance between the personal anecdotes and music, giving each tune a personal touch without becoming repetative. They also do focus episodes where they listen to music from a specific composer or game series. Again, this podcast is very snack-sized which does go well with it's overall style, but I wouldn't mind them being longer! On the other hand it comes out more often than most other VGM podcasts.

Pixeltunes Radio by Mike and Ed
If you want a VGM podcast with a lot of chatting and topic wandering, this is the podcast for you! I'm not saying that sarcastically, it really comes down to matter of taste. This podcast definitely has a lot of charm, and one of the best thing about it is that there will be a lot of tunes per episode. They also do their own video game inspired skits which I find is a great idea and I am amazed at all the ideas they come up with for these skits. Unfortunately the podcast suffers from a bit of what I'd like to call "bromancing", meaning most of the discussions around the tunes can be wrapped up into "it's a great tune, dude". It's understandable to choose only music you like for your VGM podcast, but if you're a duo of hosts and both like exactly the same kind of music, it doesn't allow for much fun conversation about it and sort of removes the need for being two hosts in the first place. This is also one of the goofier podcasts on my list, and they wander off a bit too much for my taste sometimes. This podcast is also more of a video game podcast that is heavy on the music, because they often get very in-depth describing the game they're covering. They can go into full detail about everything from the first screen, through stage by stage until the end scene. This means it can get a bit far inbetween the songs with information I don't feel I need, but if you like a podcast where you get to know every detail about a game, this is great for you!

Even better!

Pixelated Audio by Bryan and James
This podcast is extremely similar to Pixeltunes Radio and therefor has roughly the same strengths and weaknesses. It does get a bit more technical and it can be quite fun to hear different channels from a certain tune and the hosts explaining what they do and how they affect the song. They also manage to get some really good guests on this show, everything from Chris Huelsbeck to Peter McConnell (the guy who did the OST for Grim Fandango). They often choose rather obscure games to cover, which can be nice if you want to find some new music to listen to and not just something that covers the same old classics (this is also true for Pixeltunes Radio). A bit too much focus on stuff that isn't VGM and with the same issues of bromance, it's an overall good podcast with just a bit much talking. Just as with Pixeltunes Radio this is a "pick the raisins" kind of show for me.

Sound of Play by the Cane & Rinse hosts
Sound of Play is a spin-off of sorts from the Cane & Rinse podcast. Sound of Play has full focus on VGM and although there occassionally are more than one host for the show they often limit their talking to personal experiences with the games and some thoughts about the tunes. Very straightforward and mellow, it is great if you just want to listen to a lot of music with as little talking as possible. I don't know if it is intentional, but Sound of Play definitely play a lot more instrumental and modern VGM tunes than chiptunes. This isn't necessarily a bad thing, but if you're after 8-bit tunes you're probably better off listening to one of the other podcasts on the list.

Retro Reprise by Syp
Also a spin-off of sorts, but from Battle Bards, one of the hosts has taken it upon himself to branch out from the MMO-niche and listen to some retro tunes in this podcast. The formula is otherwise similar to Battle Bards in that the music is interspersed with the talking and Syp also does a good job at keeping the talking interesting and relevant to the music, as with the Forever Sound Version podcast. So far Retro Reprise has covered some real classics, and I think it is great. Classics are classics for a reason and great tunes can be heard over and over. There are so many things called Retro Reprise on the internet, so this can best be found under the Battle Bards homepage.